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The movie opens in the 1950s, with a The Omen type prologue about a troubled little girl named Lucinda (Lara Robinson) who scrawls down the numbers and puts them in her elementary school's time capsule. 50 years later John's son Caleb (Chandler Canterbury) is a student at the same school when they open the capsule, and he's already hearing some of the same voices that plagued Lucinda when he receives her message.
Caleb is convinced it might mean something, and soon John is too, staying up all night circling the numbers and detecting a telltale pattern-- they reveal the exact location, date and death toll of every major disaster of the last 50 years. In psychology this typically a symptom of schizophrenia, but in Knowing, John is soon proved right when he witnesses a plane crash, and realizes there are two disasters left on the list-- one of them possibly the big one. He eventually tracks down Lucinda's daughter Diana (Rose Byrne) and granddaughter Abby, and has them running around the Boston area trying to avoid the apocalypse while also trying to stop it.
The movie's two action set pieces, heavily promoted in the trailers, are about as different in skill as it gets. The plane crash is filmed in a single tracking shot that follows John as he walks through the wreckage, both harrowing and thrilling in its realism. On the other hand, a subway derailment in a poorly recreated Manhattan subway station is filmed so frenetically and without any sense of rhythm that it feels more like a visual assault than an experience. Both sequences, incidentally, suck every ounce of fun out witnessing the destruction, completely removing that visceral thrill in disaster movies of seeing a familiar part of the world destroyed.
